“We could continue to find a justification for each time a director has decided not to shoot on film, yet it is obvious that these are aesthetic choices that have nothing to do with the finances available to the production.”
Web Aesthetics, p. 162.
The Blair Witch Project (Daniel Myric and Eduardo Sánchez, 1999)
Collateral (Michael Mann, 2004)
Cloverfield (Matt Reeves, 2008)
Probably Love (Giuseppe Bertolucci, 2001)