Dutch photographer Rohn Meijer takes old negatives from past shoots and places them in a caustic chemical bath for months at a time. What he pulls out are negatives forever transformed, if not totally destroyed.
“Sometimes I find that nothing is left because they’ve disintegrated, and sometimes I’m pleasantly surprised,” he says.
The idea for the project came after Meijer discovered a batch of slides in his basement that had been exposed to moisture for 15 years. Most people might have tossed them, but Meijer saw that the moisture had created a pleasing crystallized effect, so he decided to experiment. He began developing a cocktail of water and other chemicals — a formula he prefers to keep secret — that would interact with the silver nitrate on the back of the negative and enhance the crystallization. To keep the negatives as saturated as possible, he built a homemade, hermetically sealed container for them to stew in.
The element of surprise is a distinct part of the process, but Meijer says he sometimes purposely applies his cocktails like paint to specific parts of the negatives to help draw out or accentuate different visual effects.
Beth Whaanga’s series of photos called Under the Red Dress show the changes to her body caused by cancer. Photograph: Nadia Masot.
“How radical and provocative is an honest image of a woman’s body?
Beth Whaanga, a mother of four from Brisbane, Australia, is finding out after posting images on Facebook of her body following surgery for breast cancer late last year. Taken by Nadia Masot, the pictures are brilliantly direct, documenting Whaanga’s ongoing hair loss, total bilateral mastectomy, navel reconstruction and hysterectomy scar. Whaanga lost more than 100 friends on Facebook after posting the pictures – and then they went viral. A registered nurse, she describes herself as a “breast cancer preventer”, and hopes to make people more aware of the physical changes that might signal a problem.”
“I began this book project unknowingly: After shooting some self-portraits with my 5-week-old son Sequoia accompanied by a blog about my newly-round post-Birth body, I was flooded with emails by mothers wanting to share their Incredible, Inspiring, & Sometimes Painful stories with me. It was then I realized I had to tell their untold stories, that a body of work begged to be created! Through Photographs & personal essays from these courageous mothers all over the country, I hope to offer a powerful healing tool for Mothers everywhere. Since inception, 1000’s of women have volunteered & the project ‘A Beautiful Body Project’ was born. Together we can redefine our culture’s idea of a beautiful woman. I have photographed and humbly listened to hundreds of stories now: Anorexia; childhood bulimia; a woman being told by her mother she was too fat to be a ballerina. Self-hatred; self-inflicted-suffering; Feeling unsexy because she perceived her nipples as imperfect; feeling unsexy because she lost too much weight after breast feeding; Feeling like there was something deeply wrong with her because she had only lost 5 pounds 9 months after the birth of her 2nd child; Sexual abuse; teenage & young adult drug addictions due to self loathing because she never felt beautiful; breast cancer after the birth of a long-awaited pregnancy; loss of a baby at birth with a wrinkly tummy & un-suckled breasts to remind her everyday of what might have been”.
“There are so many stories shadowing mothers in our culture. We are, however, also tremendously blessed with vast amounts of freedom as American Women: we are lucky to be able to shape-shift concepts and ideas in our country. We have the ability to choose to feel worthy, to believe we are beautiful and to act as women who wish to share beauty and joy in this world as an inter-connected community of people seeking a beautiful and peaceful life. It is my hope in 2013 to find a publisher for this book of powerful photographs & stories in order to inspire thousands of other mothers who are eager to feel validated by witnessing this exploration of vulnerability as a collective”.
Decadent, extravagant, obscene: the great Czech photographer Jan Saudek together with Sarah Saudek – his model, wife and muse. Jan Saudek was Jewish and having been born in Prague, he lived through the horrors of deportation during World War II. On returning to Prague he was forced to work in secret, hidden in a cellar, where he developed dreams and fantasies whilst living under a rather grey and pragmatic dictatorship. In the seventies he began to “correct” his black and white prints tinting them with watercolours. In his exclusion this “underground man” created an art of dreams, beautifully sad and light: erotic in the most spirited and interesting way. The works of Saudek, are as fascinating and mysterious as Prague itself and have made him one of the greatest living authors. A pillar of twentieth century photographic history. The surreal world of Jan Saudek is a room with plaster peeling from the walls, which filters the infinite. The flesh of the annoyingly imperfect bodies, once exposed to his eye and brush are fashioned in to the unique and extraordinary, which only art can give to the underworld, by touches of melancholy and beauty. For her part Sarah Saudek tells of infinite decadence of femininity, that is impossible to contain or restrict with a moralizing interpretive palate.
The photographer Giordano Morganti shows the beauty from a different perspective. He gives the opportunity to observe the individual through the lens of a photographic lens that takes us away from the frantic search of perfection, beauty, eternal youth and happiness and require the acceptance of the limits.
Instagram is a free application that allows users to take photos, apply filters, and share many of the social networking features. Despite the few effects and the standardization of the product it is funny. Particularly interesting is the square format, even if much more difficult to manage than the classic 2/3.
The photos are imperfect but they ‘taste good’.
Technological convergence is the tendency for different technological systems to evolve toward performing similar tasks. Convergence can refer to previously separate technologies such as voice (and telephony features), data (and productivity applications), and video that now share resources and interact with each other synergistically.The rise of digital communication in the late 20th century has made it possible for media organizations (or individuals) to deliver text, audio, and video material over the same wired, wireless, or fiber-optic connections. At the same time, it inspired some media organizations to explore multimedia delivery of information. This digital convergence of news media, in particular, was called “Mediamorphosis” by researcher Roger Fidler ,in his 1997 book by that name. Today, we are surrounded by a multi-level convergent media world where all modes of communication and information are continually reforming to adapt to the enduring demands of technologies, “changing the way we create, consume, learn and interact with each other”. Convergence in this instance is defined as the interlinking of computing and other information technologies, media content, and communication networks that has arisen as the result of the evolution and popularization of the Internet as well as the activities, products and services that have emerged in the digital media space. The Italian artist Piera Gemelli uses the concept of Mediamorphosis to speak about the complexity of the human body.“In this hybrid space the body for its ambivalence and its formation as opening sense, is the protagonist. It is a body media. Land exchange, porous material that absorbs and filters the voltage of the codes that are written in it, opening the continuous transformation and hybridization of languages. It is the body described by Betty Marenko in Hybridizations, or “polymorphic expression and mutation of a multi-faceted, [...] which arises from the contamination of meat and technologies, archaisms and metal, leather and ink, [...] universal transmitter that makes it possible to ‘data processing experience, thus reducing the complexity and uncertainty of the world around them. In particular, the object of my research is the Feminine, uterine enveloping space but also devouring it therefore becomes a metaphor of liquidity and voracious media. Women Arachnida and Medusee, bodies in transit, that they carry the traces, the bodies of the monstrosity of desire, sirens assembled and fragmented that lead us in paths of desire wandering zapping media. Hybrid creatures of chaos after attending the banquet of the body fragmented, reassembled in the new unit of Mediamorphosis the Visible.”
“If a picture doesn’t tell a story is not a photograph. Maybe it’s the story of all our thoughts, which ones become public and challenge stereotypes and those ones that remain confined for shame.”
Jan Saudek’s photographs leave no one indifferent. They cause in the viewer a visceral rejection or an unconditional appreciation. Underlining the texture and the atmosphere of the landscape that surrounds the characters of the photos, Saudek has recreated a disturbing effect of violence and a unique expression. His themes are repeated obsessively. Through a cheeky use of sexuality (at the limit of pornography), he gives a grotesque and symbolic vision of the relationship and sexual play managing to keep a poem, in the tragedy of contrasts and symbolic messages. The human figure in its raw beauty or obscene truths,with her age, her cares of life and death through dreamscapes dream or nightmare. Saudek ,with straightforward language and full of sensual charge, tells about the beauty of imperfection: very fat or very thin women, with stretch marks, cellulitis and sagging breasts. Thanks to his style, he became one of the first Czech photographers to be known in the West, even if it was the source of several problems with the communist authorities in his country. But the originality of his photographic proposal is indisputable. It’s a desire to portray a different world, the extreme radicalism of his ideas.
Quintin Mills is a South African based photographer who in addition to his innovative lighting, uses excellent people skills to know just how to get the best from you to produce his amazing photography for weddings, events, corporate portraits, and everything else he shoots. He started ‘The Imperfect Project’ to produce beautiful photographs of women of all shapes and sizes, young or old, big or small, with tattoos and scars, those who love their body and those who really don’t. He said ‘The idea was to provided these women with an opportunity to challenge themselves, end a period of self doubt or recrimination and to experience something that would make them feel empowered and ready to take on the world. A new beginning.The project is about everyday women confronting the issues they have with their body and instead of holding on to their perceptions, to look at their body objectively and to see it’s beauty. When we realise we are all beautiful in our own way, we can move from feeling “imperfect” to “I’m perfect” and I can do anything!’.
Her face is asymmetrical, her teeth are a little ’crooked, but they make her look younger (although a little vampire) and, at the age of 29, she already has some expression wrinkle. Kirsten Dunst, who won as best Actress at the last film festival of Cannes for her performance in Melancholia of Divon Trier, declares that it is the perfection to scare her and that it’s not fair to correct wrinkles andpimples with digital techniques to role in a film towards the audience. Sometimes it is better to accept ourselves as we are.
She remembers that when she was a young girl, her mother always scolded her because she never valued her lips enough, which were too pale and thin. For this reason Dunst, does not go out without putting a beautiful lipstick. About the teeth, they have become a way to find out who is the real friend.
She said: “When people ask me why I didn’t repair my teeth, I get angry a lot. If I wanted to do it, I would have done, so why get bored if the other note my imperfection? Hollywood is already full of plastic and identical people,I don’t want to be one of them. ”
We all know who is Elvis Presley, the legendary singer and actor who has been a myth during all his life. For this reason,he was and he is considered perfect.
There was a musical band ”The Cartoons”,who during all thie performances were dressed in a way that imitated not only Elvis but also a lot of characters of cartoons. An other musical band who can be considered the Cartoons’s rival were Aqua.
Urs Fischer, with the huge success of his expositions in Paris and Venice, is one of the most important contemporary artist.
Three main reasons to love his works:
1. He is totally crazy and visionary.
“Urs Fischer’s universe is made of logic and absurd things, illusion and reality, made of violence and humor, of eternity and ephemeral” (Caroline Fischer, commissioner of the exposition “Madame Fischer”)
2. His art is ‘participative’.
“My creations start from improvisation. I try a lot before strenghtening them. It comes from childrens, too, who visit regularly my atelier”
3. His art is simple and accessible.
“Everytime the exposition does not appear as a traditional event, neither a retrospection, but an introspection, an invite to penetrate within his personal bubble” (one of his gallery owner)
Being beautiful has many benefits: respect, love, friendship, control, and ultimately power. It can be the power to improve one’s life, the power to destroy others…when you’re beautiful, the world is your oyster. What exactly is beauty, anyway?. Each person has a different concept on what beauty is, but that doesn’t mean people won’t agree on what or who is beautiful. Beauty is often in the eye of the beholder, but that doesn’t mean it’s not something some people would give anything to have. Likewise, those who are already beautiful typically want to stay that way.
Daido Moryiama is a Japanese photographer noted for his images depicting the breakdown of traditional values in post-war Japan. Born October 10, 1938 in Ikeda, Osaka. Daido Moriyama studied photography under Takeji Iwamiya before moving to Tokyo in 1961 to work as an assistant of Eikoh Hosoe. He produced a collection of photographs, Nippon gekijō shashinchō, which showed the darker sides of urban life and the less-seen parts of cities. In them, he attempted to show how life in certain areas was being left behind the other industrialised parts. Though not exclusively, Moriyama predominantly takes high contrast, grainy, black and white photographs within the Shinjuku area of Tokyo, often shot from odd angles. The images he captures often show everyday people and everyday things in a manner not to be found in the average Tokyo tourist guidebook. Whether by using blur or cropping, Moriyama’s bleak and lonely black-and-white pictures have garnered him the reputation as one of Japan’s great modern photographers. The people of Moriyama’s work are often faceless, covered in shadow or obscured by blur. It is not unusual for a backside – a couple descending stairs, for example – to be the image’s main element. Unlike Araki, who generally uses color photography to target women in various settings, Moriyama’s focus is capturing Shinjuku’s blend of old, new, and unpredictable in monochrome.
What is pixel art? The pixel art is a form of digital art. It is a technique for constructing images that follows in the footsteps of the current divisionism (pointillism), whose greatest representative was Georges Seurat.
Nowadays there is a men,or better an artist who make pixel art but using crayons.
Here there is the source in which there are some images of Christian Faur ‘s works.
The photographer Brian Yen captures the true nature of over-populated metropolis of Hong Kong through its long-exposure photographs, revealing the dizzying paths for pedestrians and vehicles. In this way even a city in perpetual motion can stop on a photograph.