Contessa Rosafosca

Contessa Rosafosca is a laboratory where there are projects and strictly handmade items made ​​with the belief that “beauty is not perfection: the imperfections, unique details, the mistakes make beautiful and personal collections of accessories, clothing and above all make it interesting and unique people. ” Contessa Rosafosca wants to shape an ancient tradition with new … joining present with future. Design and craft, a winning combination to propose new stimuli, creating shapes from harmonic lines capable of transferring the glass jewel a charming and elegant timeless style. Contessa Rosafosca is a trademark of OZ SIGN Cesaretto Silvia, a young graphic designer of Venetian origin. After working for seven years in the advertising agencies of Padua, Rovigo, Ferrara and Milan, in 2004 she moved to Switzerland, where she still lives and works as a graphic designer.

Source (in Italian)
: Contessa Rosafosca

Fight Homologation Choosing Handmade!

In the era of uniformity and massification, where beauty standard ideas and choices of the products tend to suppress totally the originality and uniqueness of each object, choose a handcrafted product represents a real revolution. In this way the uniqueness of a product, and even every its construction defect, becomes the detail that makes “yours, only yours” a product. The imperfection of a handmade product becomes in this way the guarantees of a nice and authentic object, an effective solution for challenging conventional ideas of beauty and rebuilding your own ideas of beauty. Uniqueness becomes Beauty.

Source (in Italian):


With a vibrant, sex positive community of women (and men), SuicideGirls was founded on the belief that creativity, personality and intelligence are not incompatible with sexy, compelling entertainment, and millions of people agree. The site mixes the smarts, enthusiasm and DIY attitude of the best music and alternative culture sites with an unapologetic, grassroots approach to sexuality.

Tattooed Girls, Sand:   Rainbow Fish

In the same way Playboy Magazine became a beacon and guide to the swinging bachelor of the 1960s, SuicideGirls is at the forefront of a generation of young women and men whose ideals about sexuality do not conform with what mainstream media is reporting.
Tattooed Girls, Nita:  Red Delicious


An emblematic example in cinema

“Brian de Palma’s Redacted (2007) explores the ‘truth not truth’ of video and cinematic images. The film’s long opening scene is paradigmatic: the classic cinematic move of a smooth ‘coming down’ from the sky is overlapped by the classic handycam image of the date of the shooting. Following this is a title in a semi-professional graphic, while the colloquial voice-over of a soldier (who is also the film’s protagonist) states that he is the author of the recording itself; after which a highly amateurish tracking shot ends with the protagonists looking collectively into the camera, and finally with a freeze-frame. As a whole, De Palma’s film feels like a mix of reality and fiction: Hollywood DV footage, YouTube clips, wannabe documentaries and parodies of independent cinema. Here, the director of Scarface has captured a phenomenon that has radically changed the aesthetic perception of the cinema viewer, alternating and superimposing classic cinema aesthetics with the booming DIY digital aesthetic. In addition, the film’s subject is the war in Iraq, and this aesthetic seems equal to a situation in which ‘embedded’ journalists give the public the ‘truth’ in ostensibly unofficial shots attained by ‘brave’ reporters risking their lives. Low-resolution images of the Iraq war are usually considered true, especially those taken by mobile phone cameras or otherwise tiny hidden cameras.”
Web Aesthetics, p. 162-163.

Aesthetic choices in cinema

“We could continue to find a justification for each time a director has decided not to shoot on film, yet it is obvious that these are aesthetic choices that have nothing to do with the finances available to the production.”
Web Aesthetics, p. 162.

The Blair Witch Project (Daniel Myric and Eduardo Sánchez, 1999)

Collateral (Michael Mann, 2004)

Cloverfield (Matt Reeves, 2008)

Probably Love (Giuseppe Bertolucci, 2001)