The Mediamorphosis in Piera Gemelli

Technological convergence is the tendency for different technological systems to evolve toward performing similar tasks. Convergence can refer to previously separate technologies such as voice (and telephony features), data (and productivity applications), and video that now share resources and interact with each other synergistically.The rise of digital communication in the late 20th century has made it possible for media organizations (or individuals) to deliver text, audio, and video material over the same wired, wireless, or fiber-optic connections. At the same time, it inspired some media organizations to explore multimedia delivery of information. This digital convergence of news media, in particular, was called “Mediamorphosis” by researcher Roger Fidler ,in his 1997 book by that name. Today, we are surrounded by a multi-level convergent media world where all modes of communication and information are continually reforming to adapt to the enduring demands of technologies, “changing the way we create, consume, learn and interact with each other”. Convergence in this instance is defined as the interlinking of computing and other information technologies, media content, and communication networks that has arisen as the result of the evolution and popularization of the Internet as well as the activities, products and services that have emerged in the digital media space. The Italian artist Piera Gemelli uses the concept of Mediamorphosis to speak about  the complexity of the human body.“In this hybrid space the body for its ambivalence and its formation as opening sense, is the protagonist. It is a body media. Land exchange, porous material that absorbs and filters the voltage of the codes that are written in it, opening the continuous transformation and hybridization of languages. It is the body described by Betty Marenko in Hybridizations, or “polymorphic expression and mutation of a multi-faceted, […] which arises from the contamination of meat and technologies, archaisms and metal, leather and ink, […] universal transmitter that makes it possible to ‘data processing experience, thus reducing the complexity and uncertainty of the world around them. In particular, the object of my research is the Feminine, uterine enveloping space but also devouring it therefore becomes a metaphor of liquidity and voracious media. Women Arachnida and Medusee, bodies in transit, that they carry the traces, the bodies of the monstrosity of desire, sirens assembled and fragmented that lead us in paths of desire wandering zapping media. Hybrid creatures of chaos after attending the banquet of the body fragmented, reassembled in the new unit of Mediamorphosis the Visible.”

MeDiamorfosi - Piera Gemelli

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Source (in Italian)http://www.premioceleste.it/opera/ido:168156/